Readers, have you been socking some funds away waiting for a great book to read?
Your wait is over! Our dear distributor, Small Press Distribution, has launched a brand new website and a sale to celebrate! For the rest of the month, you can get 20% off Aforementioned titles and free shipping when you order through SPD!
Just use the code SITE when you check out.
As an added bonus, SPD has some titles we’re sold out of: like issue 3 and 5 of apt! So there’s no time to lose! Head over the the Aforementioned page at the new SPD site and check out their other fine titles while you’re there!
At 12:15, founding editors, Carissa Halston and Randolph Pfaff, will be part of a panel called Small Press, Big Love.
As the publishing landscape transforms, and the writing population expands, the role of small presses is becoming increasingly more significant. Join us as we talk with the founding editors of three independent presses about the kind of work they’re looking for; the relationships they cultivate with their authors during the revision and publication process; their innovative strategies for getting poetry out in the world; and the ways they’re actively working to increase diversity.
We’ll be talking alongside Liz Kay and Jen Lambert of Spark Wheel Press, and Enzo Silon Surin of Central Square Press. Also, the panel will be moderated by apt contributor, Danielle Jones-Pruett!
And if you can’t make the panel, worry not—we’ll be selling copies of apt, Underlife and Portico, They Used to Dance on Saturday Nights, and Afforded Permanence at the Small Press and Literary Fair! Stop by and see us!
And an excerpt from a review by Brenda Peynado at Wellesley Magazine: “The book, itself a work of art, asks, ‘Where is the soul located?’ The stories point back to ourselves, our hearts, our stomachs, and respond, ‘Everywhere.’”
We’re thrilled to announce that apt‘s sixth print annual, dedicated entirely to long poems, has officially landed!
Featuring work by Dan Brady, Gillian Devereux, Tracy Dimond, Kurt Klopmeier, Peter Myers, Elizabeth Wade, and Matthew Zingg, our long poetry issue is equal parts narrative, experimental, and atmospheric.
Susan McCarty’s Anatomies continues to wow critics and readers–it was on the November/December SPD bestseller list again and recently reviewed by Kelsie Plesac at Blotterature: “The stories, impressively diverse, are woven together by one thing: they cannot seem to shake their theme of the body, particularly pertaining to illness and injury. These intimate and personal themes get at the human truths of fear and triumph, and leave the reader as infected as each of the characters.”
Susan also did an interview at Blotterature, wherein she talked about her current project, working with Carissa at AP, and how to best approach the ups and downs of writing.
We’ve been a little quiet lately, as we’ve been hard at work on the sixth print annual of apt, as well as a project we’ve been very eager to announce!
And here it is:
Next fall, we’ll be publishing Krysten Hill’s chapbook, How Her Spirit Got Out!
We’re very lucky to have worked with Krysten many times via apt and Literary Firsts. She’s well on her way to building an urgent, necessary body of work, so we’re honored to have the opportunity to publish her first book.
“Adeptness is a quality clearly valued by both apt and the writers whose words appear on their pages…these stories are long, but their language is spare, with no word wasted. The disorderly plots need the space to sort themselves out; or to conclude in an even more thought-provokingly entangled manner than they began….In apt, the length of each story has function—the slow building of action and intimate acquainting with character are essential to the sense of dislocation you’ll feel as a reader once the story has ended. Because the experience of reading apt is cerebral, it is visceral, and you will live inside these stories.”
Susan McCarty’s Anatomies has received glowing praise from NewPages! The first and last paragraphs from Katy Haas’s review:
“If bodies are temples, Susan McCarty is an expert demolitionist. In Anatomies, McCarty breaks these temples down, rips through drywall and flesh, tears sexuality and humanity from their hinges, and leaves behind the barebones, the nervous system, the warm, buzzing electrical impulses buried beneath the exteriors of the temples housing her characters.
Anatomies is not a collection for the reader who doesn’t want to get their hands dirty. McCarty invites us to pick up a sledgehammer alongside her and give it a swing—to break down the walls of her characters while tunneling through our own deconstructed temples where we might find the things we’ve hidden or forgotten in ourselves. So go get your hands dirty, reader. Break your temple down.”
You can read the full review at NewPages.com and order your copy of Anatomieshere!