And an excerpt from a review by Brenda Peynado at Wellesley Magazine: “The book, itself a work of art, asks, ‘Where is the soul located?’ The stories point back to ourselves, our hearts, our stomachs, and respond, ‘Everywhere.’”
“Adeptness is a quality clearly valued by both apt and the writers whose words appear on their pages…these stories are long, but their language is spare, with no word wasted. The disorderly plots need the space to sort themselves out; or to conclude in an even more thought-provokingly entangled manner than they began….In apt, the length of each story has function—the slow building of action and intimate acquainting with character are essential to the sense of dislocation you’ll feel as a reader once the story has ended. Because the experience of reading apt is cerebral, it is visceral, and you will live inside these stories.”
Susan McCarty’s Anatomies has received glowing praise from NewPages! The first and last paragraphs from Katy Haas’s review:
“If bodies are temples, Susan McCarty is an expert demolitionist. In Anatomies, McCarty breaks these temples down, rips through drywall and flesh, tears sexuality and humanity from their hinges, and leaves behind the barebones, the nervous system, the warm, buzzing electrical impulses buried beneath the exteriors of the temples housing her characters.
Anatomies is not a collection for the reader who doesn’t want to get their hands dirty. McCarty invites us to pick up a sledgehammer alongside her and give it a swing—to break down the walls of her characters while tunneling through our own deconstructed temples where we might find the things we’ve hidden or forgotten in ourselves. So go get your hands dirty, reader. Break your temple down.”
You can read the full review at NewPages.com and order your copy of Anatomieshere!
“McCarty’s characters often show poor judgment and make bad decisions, but her affection and sympathy for them is never in doubt….McCarty’s deft blend of drama and humor always rings true; there’s not an out-of-place moment in this resonant collection.”
You can read the full review here, and pick up a copy of the collection here.
Susan McCarty’s debut collection received a glowing write-up in Esquire!
“Judging from the wry observations in McCarty’s first short story collection, the author seems like the type of person who would laugh at a funeral–which is a compliment. As McCarty reveals, what’s funny is funny, what’s sad is sad, and personal moments that pang are often both.”
Read the full review here, and don’t forget to order your copy of Anatomieshere!
So happy to find this thoughtful review by Ashley Begley for That’s When the Knives Come Down in the latest issue of JMWW—here’s a peek:
“Not many people admit to feeling empty, to feeling like there is something more out there. Morgan not only writes about it, he tells us straight….It is only after letting the stories seep into our bodies that we begin to grasp what Morgan is saying. And we realize that we want it; we want time that has been stolen from us. We want space to love and hate and feel….We want more. So don’t wait. Don’t let yourself get away. Start the chase—it will be terrifying, but oh so worth it.”
You can read the full review here, and order a copy of TWTKCD here.
We know the new year just started, but it’s hard to wait for summer when we know Susan McCarty’s Anatomies is on the way!
The latest blurb, this time from Scott Garson:
“Susan McCarty is deeply engaged with questions of how we live, and while she offers no answers, at least of the simple kind, she leaves me gripping her book with a somewhat mind-blown appreciation. These stories are marvels of craft and life: they follow our wordless intensities, opening naturally, from the inside out. What a collection we have in Anatomies. Can I say it again? What a collection.”
— Scott Garson, author of Is That You, John Wayne?
“Dolan Morgan’s That’s When the Knives Come Down is a collection of short stories that seems to have missed almost everyone’s ‘Best of 2014′ list. This is a shame because its true place is at the top of these lists for its passion to discover new territories. Morgan is a brash talent not interested in running over ground already covered by Lorrie Moore, Lydia Davis, George Saunders and other luminaries with experimental flair. Morgan seeks something different, something along the lines of a lost continent to name after himself.” — William Lessard, Entropy
“This is a book full of strangeness, and strange books can come apart pretty easily if they’re not coming from an author with a careful control of his subject matter. That’s When the Knives Comes Down doesn’t come apart; instead, it takes an obverse, often thrilling tack in its defiance of what we normally think fiction is supposed to do.” — Zach VandeZande, American Microreviews