Help support Aforementioned

Last Friday, Oct 7, we—Carissa Halston and Randolph Pfaff; cofounders, editors, and publishers of Aforementioned Productions—were in a car accident. The car was a rental (we were going to a friend’s wedding), and while we have collision insurance, we don’t have liability insurance.

Neither of us have been to the hospital, though we both sustained minor injuries. But one of the reasons we didn’t go to the ER is we honestly can’t afford it. We pay for our insurance entirely on our own (that is, not through an employer).

And we pay for Aforementioned the same way. With the exception of preorders, we pay for everything on our own. We’ve worked for free for eleven years, and we’ve lost money every year. We produced 24 online issues of apt in the first five years, and five years of weekly content after that. Five years of Literary Firsts. Nine books over six years. Hundreds of writers’ work: edited, proofread, designed, packaged, published, hosted, curated. For free.

We know we’re not alone in this. We know how it goes: non-profits are labors of love.

The problem is we suddenly can’t afford ours.

And the fact is: we are Aforementioned. If we run into a financial problem, it makes it nearly impossible to continue funding AP.

Since starting in 2005, we’ve never asked for financial assistance. We’ve never had a fundraiser. We’ve always paid for whatever we needed on our own. Over and above donating thousands of free hours, we’ve paid for web hosting, printing books, paying apt contributors, shipping materials and shipping costs, business cards, advertisements, book release parties, attending trade conferences, exhibiting at book fairs, travel and lodging for both, etc.

At this point, we’ve invested tens of thousands of dollars into AP. And despite that investment, it’s still really difficult even asking for help. We wouldn’t do it if we thought we could avoid it. But right now, we need your support. We need help paying for the projects we’ve committed to producing in the next three months.

Namely, a very large expense: we’re producing a limited run of White Rabbit Red Rabbit at Oberon in November. The show will cost more than $4500 to produce.

We’re also publishing Krysten Hill’s monumental debut, How Her Spirit Got Out, in December. And in January, we’re putting out the seventh print annual of apt.

These are expenses we had accounted for—until last Friday.

To be clear, these projects are going to happen regardless of how much money we raise, but the truth is that future projects are in jeopardy because of the car accident.

We don’t want Aforementioned’s successes to be contingent on our financial situation. We’re looking into possible ways to secure financial stability once we get out of this rough patch, but in the meantime, if you have the means to help out, we’d really appreciate your support.

 

HOW CAN I HELP?

If you’re in the Boston area, the best way you can support us is by buying a ticket to see White Rabbit Red Rabbit. The show is running Nov 14, Nov 15, and Nov 16. Tickets are $20-$30. And if you need a reason to see the show, just check out the press and the cast.

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HOW CAN I HELP IF I’M NOT IN BOSTON?

If you’re not in Boston (or can’t make the show), you can still support us in four ways:

1/You can send us a tax-deductible donation via GoFundMe! No matter how small (honestly), we appreciate every donation. And if you’re really committed to helping us out, you can even set up a recurring payment.

 

2/You can preorder Krysten Hill’s urgent, necessary debut, How Her Spirit Got Out, which Jill McDonough praised: “These poems are a middle finger tucked into the hip pocket of your favorite dress.”

 

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3/You can subscribe to apt: three years for just $30! And issue 7 is shaping up to be great–with work by Joanna Ruocco, Sonja Condit, Gregory Crosby, and more!

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4/You can buy back issues of apt or any of our critically acclaimed, award-winning books!

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I DON’T HAVE A LOT OF TIME. CAN YOU JUST GIVE ME THE SHORT VERSION?

If you’ve ever enjoyed any of our books, or a story or poem or essay at apt, if you’ve ever attended a Literary Firsts reading, or one of our book release parties, if you’ve ever come to one of our events and had a really great time, we hope you’ll support us now that we need it most.

And if you’ve already ordered a book or bought a ticket to WRRR, thank you. We couldn’t continue running AP without your help.

With immense gratitude,

Carissa Halston and Randolph Pfaff
Co-Founders/Editors
Aforementioned Productions

Presale for HOW HER SPIRIT GOT OUT!

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We’ve been hard at work prepping Krysten Hill’s debut chapbook, How Her Spirit Got Out, for publication this DecemberAnd we’re thrilled to say the book is now available for preorder!

How Her Spirit Got Out is a lively, urgent song. Answering the writers whose voices raised her, Hill calls on Sylvia Plath, Audre Lorde, and Zora Neale Hurston to help her navigate the complicated landscape of selfhood. Hill’s speaker, wise and direct, open yet elusive, also sings for the women who brought her up: her aunt, her grandmother, and her mother. These spirits who’ve guided her life and taught her through example how black women persevere, have given her the means to bear witness to an age of racial violence. With intensity, audacity, and a darkly comic wit, Hill grapples with the question of how to fight “a city that knows you’re unarmed,” rendering each poem as a weapon and a shield, and using both for self-defense.

And some praise from the amazing Jill McDonough:

“Necessary and powerful….these poems are a middle finger tucked in the hip pocket of your favorite dress.”

And as always for our presales, we’ve got options and incentives for every budget: bundles that include broadsides, additional books (like issues of apt and chapbooks by Gillian Devereux and Michael Lynch), and copies of HHSGO with variant jewel-tone covers; poems written specifically for you; and, just in case you happen to be deeply committed to literary investments, you can also take a literary tour with Krysten to Sylvia Plath’s birthplace, Audre Lorde’s archive, and the Zora Neale Hurston house.

But most important: Krysten’s book comes with each incentive. So, check out the presale and order your copy today—this book is going to leave you breathless.

SPD sale + free shipping!

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Readers, have you been socking some funds away waiting for a great book to read?

Your wait is over! Our dear distributor, Small Press Distribution, has launched a brand new website and a sale to celebrate! For the rest of the month, you can get 20% off Aforementioned titles and free shipping when you order through SPD!

Just use the code SITE when you check out.

As an added bonus, SPD has some titles we’re sold out of: like issue 3 and 5 of apt! So there’s no time to lose! Head over the the Aforementioned page at the new SPD site and check out their other fine titles while you’re there!

Preorder your copy of ANATOMIES today!

Matt Bell says, “Few story collections cover so much territory, and the ones that try rarely do it so well. Intense, gorgeously written, both funny and heartbreaking, Anatomies will make its obsessions yours, thrilling you with McCarty’s unique vision of the world.”

Jac Jemc says, “The range of Susan McCarty’s stories is so wide, you won’t be able to look in every direction at once. Give yourself up to the thrill of being blindsided again and again.”

Scott Garson says, “These stories are marvels of craft and life: they follow our wordless intensities, opening naturally, from the inside out. What a collection we have in Anatomies. Can I say it again? What a collection.”

Melanie Rae Thon says, “Anatomies is a virtuoso performance by a writer unafraid to strike her readers with despair or destroy them with giddy laughter….If you long to be awakened by the glorious intensity and miraculous expansiveness of human consciousness, let these seductive, revelatory fictions transport you.”

And we say, the time has come: The presale Anatomies has officially begun! We’ve got incentives for every budget, and they cover everything from informative pamphlets to trips to New York to tours of an Iowan alpaca farm. Regardless of which you choose, you will not want to miss this book. Order your copy today!

Matt Bell weighs in on ANATOMIES

Anat_cover_excerpt_rgb_webMore great news for Susan McCarty’s collection, Anatomies!

It makes me so eager for June!

“Susan McCarty’s Anatomies is a fine debut, by a writer seemingly out to prove she can do anything, her stories as varied as they are accomplished, moving effortlessly between subjects and voices and forms. Few story collections cover so much territory, and the ones that try rarely do it so well. Intense, gorgeously written, both funny and heartbreaking, Anatomies will make its obsessions yours, thrilling you with McCarty’s unique vision of the world.”

— Matt Bell, author of In the House upon the Dirt between the Lake and the Woods

Check out all the praise, as well as a synopsis on the Anatomies page, here.

Dolan Morgan in The Believer and Selected Shorts

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Exciting TWTKCD news!

Dolan Morgan talks with Nelly Reifler at The Believer. An excerpt:

“I’m super tired of the sort of traditional, twentieth-century-style void, where people feel a “dead emptiness inside the brain,” and where they get dizzy and sick at the edge of a life without meaning. Blah, blah, blah. Buncha babies. I simply don’t understand what’s so scary about nothingness. In fact, I find it uplifting and invigorating. It makes me happy. And I feel like throughout my life, I’ve always been handed an artificial set of social choices: either 1) “Things are absurd and that’s terrible,” or 2) “Things are imbued with purpose, and that’s fantastic.” But really, what about: Things are absurd, and that’s great? And how about: Purpose is terrifying. Purpose is oppressive. Get that junk out of here. Rather, we’re all flying through a pointless expanse and that’s amazing. Lucky us. Our ability to comprehend the world is imperfect, limited and often incorrectand that’s gorgeous.

You can read the full interview here.

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And, for those of you who live in New York (and its surrounding environs), the roster for next month’s Selected Shorts is as follows: Heather Burns reading a story by Aimee Bender, Alex Karpovsky reading a story by Kurt Vonnegut, and Dave Hill reading a story from That’s When the Knives Come Down! You can (and should!) buy tickets here—a steal at eight dollars! Since this is part of the 30th anniversary of Selected Shorts, it may sell out (so don’t delay, etc.).

And if you still haven’t picked up a copy of TWTKCD, you can order it by clicking the link in the sidebar, or following us through this magic internet portal.

Danielle Jones-Pruett receives a Rona Jaffe Foundation Writers’ Award!

djpWe have had the distinct pleasure of working with Danielle Jones-Pruett on a number of occasions—we were thrilled to have two of her poems on the apt site last year, and another for this year’s print issue.

We’ve hosted her as a reader at Literary Firsts, and she was among the readers we had at our amazing release party for the Surveillance Issue of apt in January.

A few weeks back, we were so happy to hear that she’ll been included in the 2014 Best New Poets anthology.

And, just this morning, we learned that Danielle is one of six recipients of the 2014 Rona Jaffe Foundation Writers’ Award! Danielle’s work is meditative and wry, honest and captivating—qualities indicative of fine literature. She deserves every accolade she gets, and we’re so proud of her.